A Double Barrel of Newish SFF
Mar. 25th, 2016 08:46 amI assume there's something about the publishing calendar that caused me to read lots of new science fiction and fantasy books toward the end of last year and the beginning of this year. Some were amazing, but there was a lot that I couldn't finish.
Ready Player One isn't very newish, but I read it late last year and liked it so much, it was the only book I re-read last year. My ladylove complained that the female character was an NPC - I'd argue she's a Hermione and there's almost no character development for anyone in the book - but who doesn't love the poor kid who uses arcane knowledge to win in a dystopian world story? Non-nerds, maybe, since the book is all about 80s trivia.
I started 3 different books bc Neil Gaiman wrote (part of) them. The Sleeper and the Spindle was published as a standalone story in a heavily illustrated edition and is quite good if you like fairy tale retellings with a twist.
I'm not sure why I picked up Trigger Warning, considering I have no trouble finding disturbing books on my own and it's not like Neil Gaiman is known for heartwarming tales with fluffy bunnies and unicorns. I also don't get what the book is: I know I've read some of those stories before. At a certain point I came to my senses and put it down.
I read all but one of the stories in Rags & Bone, which also includes The Sleeper and the Spindle, but even as a completist, there was no way I would read a creepy retelling of "The Monkey's Paw". I didn't love any of the other stories enough to think the book worthwhile.
Naomi Novik's Uprooted is creepy and contains all the fairy tale elements, but is an amazing book selection from TRQ. It pays to be old friends with a MITSFS cardholder, let me tell you. It starts with the sacrificial maiden, who is far from perfect and very plucky, and gets epic. Highly recommended.
The Sword of Summer is the start of another Rick Riordan tetralogy, this one about Norse gods. More observant readers of his other books will find it interesting the hero's name is Magnus Chase. I started reading it right after reading Michael Chabon's essay about his relationship with Norse mythology, so I should've loved it. Instead, it irritated me, despite being set in Boston, and I have no desire to read any more from this series, even though I inhaled the Greek tetralogy and read all the Roman ones. Maybe someday I'll read the Egyptian one.
I was so excited to get my hands on Jim Butcher's Aeronaut's Windlass, but it was basically steampunk Honor Harrington - it even has cats!!!! - so I read the last 50 pages and decided I didn't care what happened to the characters in between. I don't understand what happened to all the depth his writing gained over the first dozen Harry Dresden, but I need to stop trying to read his books.
I loved Michael Chabon's Sherlock Holmes essay, so I got Kareem Abdul-Jabbar's Mycroft Holmes at the right time too. And still couldn't like it. Apparently the basketball player has taken up all sorts of hobbies since his NBA career ended and I'm totally cool with polymathic dilettantism. OTOH, it's not a very good book. It tries to give back story as to why this Holmes brother is such a loner, but it just doesn't feel true to what we know about Mycroft and instead feels like Marty Stuism.
I didn't read The Flux for four months after buying it, partly bc I read the free sample from Amazon and got turned off. I get that
theferret was trying to do an action opening that quickly told us what the tensions were, but the more I think about it, the less I think it was appropriate to the characters or the rest of the book. The rest of the book is very good though and if you liked Flex at all, you'll probably like The Flux. I liked how he used the "obsession=magic" to create cinemancers although I really want to find that post someone wrote that explained all the references, bc while I noticed the mentions of Svtug Pyho, I missed the Sverfgnegre ones until the second reading.
I was all set to pay $15 for an early copy of Gentleman Jole and the Red Queen, bc not only is it the new Lois McMaster Bujold book, but it's about my favorite character, Cordelia. Then the early sample of the book on Baen's website read like fanfic and I decided to wait until the print copy came out, hoping it would get better. It did, a little. It's nothing like Cordelia's Honor or even A Civil Affair. In her mind, I think LMB thought she was writing a more mature book, that she could write a book that would be interesting without space battles, that allowed her to explore Cordelia's Betan side. She's written books like that - I really enjoyed Cryoburn and Lord Vorpatril's Alliance - but this book was boring. Once you know the big secret of the book, you've gotten half the pleasure of the book; the rest is just a telling of how that plays out in the post-Cryoburn world. Lots of things happen that remind me of the aimlessness of a lot of contemporary romance novels, although the last third of the book had a lot of great lines that made me LOL and/or scribble them down for my quotes page.
Sadly, the only book I'm anticipating at this point is the next Rivers of London book, which I don't expect to like and isn't out until August 2 :(
Ready Player One isn't very newish, but I read it late last year and liked it so much, it was the only book I re-read last year. My ladylove complained that the female character was an NPC - I'd argue she's a Hermione and there's almost no character development for anyone in the book - but who doesn't love the poor kid who uses arcane knowledge to win in a dystopian world story? Non-nerds, maybe, since the book is all about 80s trivia.
I started 3 different books bc Neil Gaiman wrote (part of) them. The Sleeper and the Spindle was published as a standalone story in a heavily illustrated edition and is quite good if you like fairy tale retellings with a twist.
I'm not sure why I picked up Trigger Warning, considering I have no trouble finding disturbing books on my own and it's not like Neil Gaiman is known for heartwarming tales with fluffy bunnies and unicorns. I also don't get what the book is: I know I've read some of those stories before. At a certain point I came to my senses and put it down.
I read all but one of the stories in Rags & Bone, which also includes The Sleeper and the Spindle, but even as a completist, there was no way I would read a creepy retelling of "The Monkey's Paw". I didn't love any of the other stories enough to think the book worthwhile.
Naomi Novik's Uprooted is creepy and contains all the fairy tale elements, but is an amazing book selection from TRQ. It pays to be old friends with a MITSFS cardholder, let me tell you. It starts with the sacrificial maiden, who is far from perfect and very plucky, and gets epic. Highly recommended.
The Sword of Summer is the start of another Rick Riordan tetralogy, this one about Norse gods. More observant readers of his other books will find it interesting the hero's name is Magnus Chase. I started reading it right after reading Michael Chabon's essay about his relationship with Norse mythology, so I should've loved it. Instead, it irritated me, despite being set in Boston, and I have no desire to read any more from this series, even though I inhaled the Greek tetralogy and read all the Roman ones. Maybe someday I'll read the Egyptian one.
I was so excited to get my hands on Jim Butcher's Aeronaut's Windlass, but it was basically steampunk Honor Harrington - it even has cats!!!! - so I read the last 50 pages and decided I didn't care what happened to the characters in between. I don't understand what happened to all the depth his writing gained over the first dozen Harry Dresden, but I need to stop trying to read his books.
I loved Michael Chabon's Sherlock Holmes essay, so I got Kareem Abdul-Jabbar's Mycroft Holmes at the right time too. And still couldn't like it. Apparently the basketball player has taken up all sorts of hobbies since his NBA career ended and I'm totally cool with polymathic dilettantism. OTOH, it's not a very good book. It tries to give back story as to why this Holmes brother is such a loner, but it just doesn't feel true to what we know about Mycroft and instead feels like Marty Stuism.
I didn't read The Flux for four months after buying it, partly bc I read the free sample from Amazon and got turned off. I get that
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I was all set to pay $15 for an early copy of Gentleman Jole and the Red Queen, bc not only is it the new Lois McMaster Bujold book, but it's about my favorite character, Cordelia. Then the early sample of the book on Baen's website read like fanfic and I decided to wait until the print copy came out, hoping it would get better. It did, a little. It's nothing like Cordelia's Honor or even A Civil Affair. In her mind, I think LMB thought she was writing a more mature book, that she could write a book that would be interesting without space battles, that allowed her to explore Cordelia's Betan side. She's written books like that - I really enjoyed Cryoburn and Lord Vorpatril's Alliance - but this book was boring. Once you know the big secret of the book, you've gotten half the pleasure of the book; the rest is just a telling of how that plays out in the post-Cryoburn world. Lots of things happen that remind me of the aimlessness of a lot of contemporary romance novels, although the last third of the book had a lot of great lines that made me LOL and/or scribble them down for my quotes page.
Sadly, the only book I'm anticipating at this point is the next Rivers of London book, which I don't expect to like and isn't out until August 2 :(