Else what's a heaven for?

1) The Vine Witch, Luanne G. Smith (electronic)
2) Rivers of London, vol 6: Water Weed, Ben Aaronovitch, Andrew Cartmel, Lee Sullivan, Luis Guerrero
3) Brooklynaire, Sarina Bowen (electronic)
4) Warprize, Elizabeth Vaughan (electronic)
5) Superfan, Sarina Bowen (electronic)
6) Moonlighter, Sarina Bowen (electronic)
7) White Tiger, Aravind Adiga
8) A Study in Sable, Mercedes Lackey (electronic)
9) A Scandal in Battersea, Mercedes Lackey (electronic)
10) The Bartered Brides, Mercedes Lackey (electronic)
11) Fhozvggvat gb gur Znedhrff, E. M. Brown (electronic)
12) Fhozvggvat sbe Puevfgznf, E. M. Brown (electronic)
13) The Wizard of London, Mercedes Lackey (electronic, re-read?)
14) Gods of Jade and Shadow, Silvia Moreno-Garcia (electronic)
15) Once Upon a Time, Alessandra Hazard (electronic)
16) Top Secret, Sarina Bowen and Elle Kennedy (electronic)
17) False Value, Ben Aaronovitch (electronic)
18) Master and Commander, Patrick O'Brian (electronic, re-read)
19) Beach Read, Emily Henry (electronic)
20) Dance Away with Me, Susan Elizabeth Phillips (electronic)
21) Inside Jobs, Ben H. Winters (audiobook)
22) Ynql va Erq, Zry Grfupb (electronic)
23) The Ickabog, J. K. Rowling (electronic)
24) The Glamourist, Luanne G. Smith (electronic)
25) The Duke I Tempted, Scarlett Peckham (electronic)
26) The Kiss Quotient, Helen Hoang (electronic)
27) Overnight Sensation, Sarina Bowen (electronic)
28) Hanover Square Affair, Ashley Gardner (electronic)
29) The Beast of Beswick, Amalie Howard (electronic)
30) The Earl I Ruined, Scarlett Peckham (electronic)
31) The Lord I Left, Scarlett Peckham (electronic)
32) The Duchess Deal, Tessa Dare (electronic)
33) Tales from the Folly, Ben Aaronovitch (electronic)
34) A Duke, the Lady, and a Baby, Vanessa Riley (electronic)
35) The Red Tent, Anita Diamant (electronic)
36) Sure Shot, Sarina Bowen (electronic)
37) Beauty's Kingdom, A. N. Roquelaure (electronic)
38) The Rakess, Scarlett Peckham (electronic)
39) Magic Lessons, Alice Hoffman (electronic)
40) Magic Lessons, Alice Hoffman (electronic, re-read)
41) Would I Lie to the Duke, Eva Leigh (electronic)
42) Fheeraqre gb Fva, Nicola Davidson (electronic)
43) Gur Qrivy'f Fhozvffvba, Nicola Davidson (electronic)
44) Spin the Dawn, Elizabeth Lim (electronic)
45) The October Man, Ben Aaronovitch (audiobook)
46) Andrew Jackson and the Miracle of New Orleans, Brian Kilmeade, Don Yeager (audiobook)
47) Obhaq gb or n Tebbz, Megan Mulry (electronic)
48) Poison or Protect, Gail Carriger (electronic)
49) Obhaq gb or n Tebbz, Megan Mulry (electronic)
50) Gur Qrivy'f Fhozvffvba, Nicola Davidson (electronic, re-read)
51) The Art of Three, Erin McRae, Racheline Maltese (electronic)
52) Ready Player Two, Ernest Cline (electronic)
53) A Queen from the North, Erin McRae, Racheline Maltese (electronic)
54) The Art of Leaving, Ayelet Tsabari (electronic)
55) Tentacle, Rita Indiana (electronic)

##

Jacob Falkovich: Romance is the most complex and rewarding multi-player game that humanity has invented. -1/13/20

David Fahrenthold: The Trump Hotel was a Petri dish for bad ideas. -1/16/20

Michael Kimmelman: the coronavirus undermines our most basic ideas about community and, in particular, urban life... cities also grew, less tangibly, out of deeply human social and spiritual needs. The very notion of streets, shared housing and public spaces stemmed from and fostered a kind of collective affirmation, a sense that people are all in this together. Pandemics prey on this relentlessly. They are anti-urban. -3/17/20

Newsha Tavakolian: The fear is everywhere. Fear of death, fear of the future. Fear of a terrible year ahead. My past year has already been terrible. Like now with coronavirus, life forced me to stop and drop everything. It did so in ways I could’ve never imagined. -3/21/20

Anya Kamenetz: The phone is like a fentanyl lollipop; yes, it's possible to abuse, but our pain, and the massive pain of the world driving us to it, is arguably the real problem. -7/27/20

Megan Mulry: There it was: the realization that she wanted him to be happy. That she did not need to be the sole source of his happiness. That she would revel in his happiness as he reveled in hers.